open source audio identification
MusicBrainz recording
White Christmas
Otis Redding
3:07
2249dd7f-72fb-4ae1-8b92-601e7cc74af3
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
537
linking them to it
Fingerprints
53
distinct audio files
Duration
2:29–4:28
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
474b7618-4c53-437d-836c-93d86d938414
Also linked to
White Christmas by Otis Redding, White Christmas by Otis Redding and
|
12 | 3:05–3:09 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
74e6b59e-f50f-4532-978a-badee1958521
Also linked to
White Christmas by John Pizzarelli
|
3 | 3:06–3:08 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
d2325de1-5b19-4344-8d52-5968f618dbcc
Also linked to
White Christmas by Otis Redding, White Christmas by Otis Redding and
|
4 | 3:05–3:08 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | df6ec47b-a23f-409b-8d9d-4c7f61a0dae8 | 1 | 4:28 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E |
79fdafd4-5cd3-4cdc-b0ac-3514a632415c
Also linked to
Merry Christmas, Baby by Otis Redding
|
13 | 2:29–2:36 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
59bb1551-6333-4c10-8d7f-8ce27226b086
Also linked to
White Christmas by Taylor Swift
|
5 | 2:33–2:37 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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| G |
8a9695ea-5b3a-44e4-ac8d-4892594259f1
Also linked to
White Christmas by Bing Crosby, White Christmas by Bing Crosby with Ken Darby Singers and John Scott Trotter and His Orchestra and
|
15 | 3:01–3:04 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.