open source audio identification
MusicBrainz recording
Hey Nineteen
Steely Dan
5:04
1998 5.1 mix
1fa5c8ed-de83-4a69-bef4-74e837f80ac2
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
26
linking them to it
Fingerprints
64
distinct audio files
Duration
4:46–5:11
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
23e03bff-4ec0-44c6-9a5a-31f08bfd06c8
Also linked to
Hey Nineteen by Steely Dan, Hey Nineteen by Steely Dan and
|
36 | 5:03–5:10 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
4d29d0b0-fb01-472a-9a0e-4af2a5552fd7
Also linked to
Hey Nineteen by Steely Dan, The Spirit of Radio by Rush and
|
8 | 5:01–5:08 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
99aa7a6b-1b02-4dcb-b16f-347e8a16a06b
Also linked to
Hey Nineteen by Steely Dan
|
3 | 5:09–5:11 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
14c94361-38f9-4ad3-af8f-6d37b2d8fd91
Also linked to
Hey Nineteen by Steely Dan, Hey Nineteen by Steely Dan
|
4 | 5:07–5:09 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | fb00bf8c-86f0-4540-8582-0f26bbd8b850 | 5 | 4:46–4:53 | |||||||||||||||||||||||
| F |
b4d4940f-dffa-4959-bf16-1abc088c76ba
Also linked to
Hey Nineteen by Steely Dan, Hey Nineteen by Steely Dan
|
2 | 4:56 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
f777097b-4423-41e6-bfec-d1cbd4ea665f
Also linked to
Hey Nineteen by Steely Dan
|
2 | 4:59–5:06 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 2c26e669-5526-4222-bdae-1ee901fedbf9 | 1 | 5:08 | |||||||||||||||||||||||
| I |
5b74c0f3-52ff-4ebf-9faf-50db1a4eff0d
Also linked to
Hey Nineteen by Steely Dan
|
2 | 5:09–5:10 | |||||||||||||||||||||||
|
Recordings linked to I
|
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| J |
aaf2ec03-f35b-48e9-8aa9-4e22065c39ec
Also linked to
Hey Nineteen by Steely Dan
|
1 | 5:10 | |||||||||||||||||||||||
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Recordings linked to J
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.34 | 0.00 | 0.64 | 0.75 | 0.00 | 0.53 | 0.53 | 0.00 | 0.00 |
| B | 0.34 | — | 0.00 | 0.51 | 0.41 | 0.71 | 0.51 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.64 | 0.51 | 0.00 | — | 0.67 | 0.43 | 0.67 | 0.44 | 0.00 | 0.00 |
| E | 0.75 | 0.41 | 0.00 | 0.67 | — | 0.36 | 0.73 | 0.42 | 0.00 | 0.00 |
| F | 0.00 | 0.71 | 0.00 | 0.43 | 0.36 | — | 0.43 | 0.00 | 0.00 | 0.00 |
| G | 0.53 | 0.51 | 0.00 | 0.67 | 0.73 | 0.43 | — | 0.46 | 0.00 | 0.00 |
| H | 0.53 | 0.00 | 0.00 | 0.44 | 0.42 | 0.00 | 0.46 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |