open source audio identification
MusicBrainz recording
He Ain't Got Rhythm
Billie Holiday
2:52
matrix B.20568-1
1f08d98a-fd9e-4c8f-a878-07781c95939b
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
490
linking them to it
Fingerprints
41
distinct audio files
Duration
2:49–2:54
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
71df855b-2843-43c4-8d7b-db7654694431
Also linked to
He Aint Got Rhythm by Billie Holiday, He Ain’t Got Rhythm by Billie Holiday with Teddy Wilson and His Orchestra and
|
7 | 2:49–2:52 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
001005ed-7d3c-46bb-ba92-c45aa937052e
Also linked to
He Ain’t Got Rhythm by Billie Holiday, He Ain’t Got Rhythm by Teddy Wilson and His Orchestra and
|
17 | 2:49–2:54 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
7cc96a86-7598-4056-8145-401b6d89f807
Also linked to
He Ain’t Got Rhythm by Billie Holiday, He Ain’t Got Rhythm by Billie Holiday
|
3 | 2:49 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | cf6bb9c0-1bb1-40d2-b05b-7a975ba33a9d | 1 | 2:51 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E |
0805c925-68af-4dc9-afc8-2ea6ad455b96
Also linked to
He Ain't Got Rhythm by Billie Holiday & Lester Young, He Ain't Got Rhythm by Lester Young and
|
8 | 2:52–2:53 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
017c39ac-df4a-4973-b047-f04a50cdbd68
Also linked to
He Ain’t Got Rhythm by Teddy Wilson and His Orchestra, He Ain’t Got Rhythm by Billie Holiday & Lester Young and
|
5 | 2:50 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.