open source audio identification
MusicBrainz recording
And I Love Her
The Beatles
1:52
outtake
1e9f2b78-2b97-4282-9ccb-7174cc837f8f
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
1,536
linking them to it
Fingerprints
42
distinct audio files
Duration
1:50–2:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3f66428a-c015-4fa2-8279-618ab3e33e0a
Also linked to
And I Love Her by The Beatles, And I Love Her (take 2) by The Beatles and
|
8 | 1:50–1:54 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
b11d9d13-ab5d-4451-958e-4d93085a4959
Also linked to
And I Love Her by The Beatles
|
5 | 1:52 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||
| C |
5ec784a3-27dd-4c89-9a0b-5b4d13d7b444
Also linked to
One and One Is Two (demo) by The Beatles, One and One Is Two by The Beatles and
|
12 | 1:53–1:56 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 9bc5b65b-18c8-4377-8738-c2a621092af1 | 1 | 1:51 | ||||||||||||||||||||||||||||||||||||||
| E | 17c94f6e-776a-4826-8204-aef1863c19a9 | 1 | 2:08 | ||||||||||||||||||||||||||||||||||||||
| F |
ccf9f51d-a476-474e-b7ad-9a2376721e69
Also linked to
Boys, What I Was Thinking (comedy) by Morecambe & Wise and The Beatles, Speech: Eric Morcambe And Ernie Wise by The Beatles and
|
12 | 2:02–2:08 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | a4256b55-7cc8-4352-8dca-a636e5dc8ddf | 1 | 1:52 | ||||||||||||||||||||||||||||||||||||||
| H | b2ade35e-deb0-412e-a89b-15e7d216c482 | 1 | 1:52 | ||||||||||||||||||||||||||||||||||||||
| I | dd18139f-13b8-4ece-a11e-252222cbdd59 | 1 | 1:52 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.54 | 0.00 | 0.00 | 0.99 | 0.00 | 0.65 | 0.00 | 0.00 |
| B | 0.54 | — | 0.00 | 0.00 | 0.54 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.99 | 0.54 | 0.00 | 0.00 | — | 0.00 | 0.65 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.65 | 0.00 | 0.00 | 0.00 | 0.65 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |