MusicBrainz recording
Freak Like Me
Adina Howard
4:04
1e4c4e71-3833-4943-9d81-05902b241d36
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
54
linking them to it
Fingerprints
34
distinct audio files
Duration
3:51–4:28
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
deff01cd-88c4-4a5c-97e2-6b252017aa04
Also linked to
Freak Like Me (radio version) by Adina Howard, Freak Like Me by Adina Howard
|
8 | 4:01–4:06 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
195d1564-6019-4dac-9749-44eed8a9c9e8
Also linked to
Freak Like Me by Adina Howard
|
1 | 4:00 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
1be4d9b3-062a-4685-ac58-f4fb574b33e9
Also linked to
Freak Like Me (LP version) by Adina Howard, Adina Howard by Mr. Muthafuckin’ eXquire feat. Gouchos & Gorgeous Black and
|
3 | 4:28 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | 81378ead-f914-4b72-a719-e36542ec99cc | 1 | 4:04 | |||||||||||||||||||||||||||||||||||||||||||
| E |
73de696f-4cb1-4bf8-90a7-4f80934bc212
Also linked to
Freak Like Me by Adina Howard, Freak Like Me (radio version) by Adina Howard
|
5 | 4:02–4:06 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
724d5d4a-f247-4120-b9f2-390092238011
Also linked to
Freak Like Me by Heather Hunter
|
2 | 3:51–3:53 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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| G |
a583072e-7e9b-4d4b-b8e5-9d93fa003acf
Also linked to
Freak Like Me by Adina Howard, Freak Like Me (radio version) by Adina Howard and
|
14 | 3:57–4:04 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.