open source audio identification
MusicBrainz recording
Life in the Bloodstream
The Guess Who
3:11
1e468bc4-b2bd-4e4b-9c39-e8c5f8577230
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
262
linking them to it
Fingerprints
34
distinct audio files
Duration
3:05–3:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | dede44cf-30d4-405a-b7d5-bd0350916db6 | 5 | 3:11–3:14 | |||||||||||||||||||||||||||||||||||||||||||
| B | fbae7754-254c-4d3e-8140-611f0eeb7df2 | 2 | 3:12 | |||||||||||||||||||||||||||||||||||||||||||
| C | 2401dc62-5108-49eb-a382-8d96d866509b | 2 | 3:12–3:13 | |||||||||||||||||||||||||||||||||||||||||||
| D | 31e5ac5c-9d37-4804-bd51-12c1b1d07929 | 3 | 3:10–3:12 | |||||||||||||||||||||||||||||||||||||||||||
| E | e1da7aef-326e-44d0-bd0d-757ad71f1dbe | 2 | 3:08–3:09 | |||||||||||||||||||||||||||||||||||||||||||
| F | 05b6027e-a542-4c2a-a726-928fb929a378 | 1 | 3:10 | |||||||||||||||||||||||||||||||||||||||||||
| G |
dc52f6ac-188e-4aa1-b546-eaa01af178ce
Also linked to
Twelve-Thirty by The Mamas & the Papas, Twelve Thirty (Young Girls Are Coming to the Canyon) by The Mamas & the Papas and
|
6 | 3:16–3:22 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
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| H |
d4b1f8b4-6ef6-4fae-b814-f33fba801529
Also linked to
Soul Sacrifice by Santana, Soul Sacrifice by Carlos Santana and
|
5 | 3:13–3:17 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
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| I |
068c75ca-81d2-4a02-8a1c-f722e1415964
Also linked to
Broken by The Guess Who
|
8 | 3:05–3:09 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.68 | 0.00 | 0.55 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.68 | — | 0.44 | 0.47 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.44 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.55 | 0.47 | 0.00 | — | 0.52 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.52 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |