MusicBrainz recording
Nancy (with the Laughing Face)
Frank Sinatra
3:24
studio master #2
1ddaaed2-651e-4428-ab5f-11aabd5b45b6
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
14
linking them to it
Fingerprints
32
distinct audio files
Duration
3:16–3:28
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| A |
6f1f1eb5-db07-46f2-8b6e-7fdbebd22780
Also linked to
Nancy by Frank Sinatra, Nancy (with the Laughing Face) by Frank Sinatra and
|
11 | 3:21–3:28 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
4070a146-ce85-4d93-b4ac-f9e5bf13c37d
Also linked to
Nancy (with the Laughing Face) by Frank Sinatra, Nancy (With the Laughing Face) by Frank Sinatra and
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14 | 3:21–3:28 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
5be8789c-a591-47b8-ad13-450ddcd48fa2
Also linked to
Close to You by Frank Sinatra, Close to You by Frank Sinatra with Alec Wilder & His Orchestra
|
2 | 3:16–3:18 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
2be3daff-5119-4dce-8e1a-b25af5c9d2d7
Also linked to
Nancy (With the Laughing Face) by Frank Sinatra, Nancy (With the Laughing Face) by Frank Sinatra
|
3 | 3:27 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
c485af16-04bf-4517-bc78-7bfdf3299323
Also linked to
Nancy by The Hacker
|
1 | 3:21 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
df2c2f5e-1ebc-42b0-8ea8-811d9c39c0d1
Also linked to
Nancy (It Turns Gold) by The Hacker feat. Michael Zodorozny
|
1 | 3:22 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.