MusicBrainz recording

The Sound of Silence

Simon & Garfunkel 3:07 single version
1db13fc5-9dc7-434f-ae52-efe2727f8259 View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
445
linking them to it
Fingerprints
203
distinct audio files
Duration
2:59–3:13
range of submitted files

AcoustIDs

Most submitted first, 4 disabled
Show 4 disabled links
AcoustID Most common fingerprint Fingerprints Length Sources
A d27feb04-5050-4e6c-8c22-9a86fb59dbef
Also linked to The Sound of Silence by Simon & Garfunkel, The Sounds of Silence by Simon & Garfunkel and
24 3:04–3:11
252
B b32442dd-753a-4f78-913f-3801a382abdf
Also linked to The Sound of Silence by Simon & Garfunkel, The Sound of Silence (single version) by Simon & Garfunkel and
5 3:01–3:08
90
C 98ec83f4-7ba7-41a4-86d4-17d340451112
Also linked to The Sound of Silence by Simon & Garfunkel, The Sound of Silence by Simon & Garfunkel and
94 3:03–3:10
73
D d7681c70-33b8-4bb5-869a-04bd4cccb18f
Also linked to The Sound of Silence by Simon & Garfunkel, The Sound of Silence by Simon & Garfunkel and
8 3:02–3:09
13
E 5a20fc83-1b97-413d-baec-3efc17fac3d7
Also linked to The Sound of Silence by Simon & Garfunkel, The Sounds of Silence by Simon & Garfunkel and
17 2:59–3:06
7
F c48d62ad-2d68-4e90-be10-6a7b08256866
Also linked to The Sound of Silence by Simon & Garfunkel, Sound of Silence by Modern Sound Orchestras and
21 3:04–3:11
4
G 7dace258-8c05-40cb-8595-0a9c112e9b85
Also linked to The Sound of Silence by Simon & Garfunkel, The Sound of Silence by Simon & Garfunkel and
16 3:08–3:13
2
H 01913119-e346-4d9d-a18c-574d58889419
Also linked to The Sound of Silence by Simon & Garfunkel, The Sounds of Silence by Simon & Garfunkel and
1 3:12
2
I 0c60cefb-5826-45ca-8c07-1d3fe25b22ab
Also linked to The Sound of Silence by Simon & Garfunkel
1 3:08
1
J acfb3262-f18e-44e1-ae8d-2197d61b4923
Also linked to The Sound of Silence by Simon & Garfunkel, The Sound of Silence by Simon & Garfunkel and
16 3:00–3:07
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.