open source audio identification
MusicBrainz recording
Super Trouper
ABBA
4:08
1d8c1cef-c585-4f01-abfb-fd4d5d2b365b
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
19
linking them to it
Fingerprints
142
distinct audio files
Duration
4:05–4:18
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
eeed3aa6-886c-44c0-b68d-f77d6362b35c
Also linked to
Super Trouper by ABBA, Super Trouper by ABBA
|
40 | 4:05–4:14 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
5c42e2a3-ac73-4497-a0f6-6c57c9dfe5a8
Also linked to
Super Trouper by ABBA, Super Trouper by ABBA and
|
20 | 4:11–4:18 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 8c97b3b2-02cf-4be5-be79-0d672d452c36 | 1 | 4:12 | ||||||||||||||||||||||||||||||||||||||
| D |
ae63658b-12c3-4ad4-b00c-67a77737d928
Also linked to
Super Trouper by ABBA, Super Trouper by ABBA and
|
26 | 4:08–4:15 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
fb95efe5-c286-44e6-ad34-c417306cec0e
Also linked to
Super Trouper by ABBA, Super Trouper by ABBA and
|
38 | 4:10–4:16 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
3a582d43-0bb8-47a8-aed7-0695e0136e00
Also linked to
Super Trouper by ABBA, Super Trouper by A★Teens and
|
13 | 4:12–4:18 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
aeee6a13-2475-47d7-a348-8db3918222aa
Also linked to
Super Trouper by ABBA, Super Trouper by ABBA
|
2 | 4:06 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 43ef077a-b2ae-4c67-ba98-35740b368302 | 1 | 4:14 | ||||||||||||||||||||||||||||||||||||||
| I | 76c8c826-8c9c-48e3-ba11-387f13fb7eed | 1 | 4:12 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.73 | 0.00 | 0.69 | 0.75 | 0.76 | 0.72 | 0.00 | 0.00 |
| B | 0.73 | — | 0.00 | 0.85 | 0.57 | 0.57 | 0.92 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.62 |
| D | 0.69 | 0.85 | 0.00 | — | 0.54 | 0.55 | 0.92 | 0.00 | 0.00 |
| E | 0.75 | 0.57 | 0.00 | 0.54 | — | 0.98 | 0.56 | 0.00 | 0.00 |
| F | 0.76 | 0.57 | 0.00 | 0.55 | 0.98 | — | 0.58 | 0.00 | 0.00 |
| G | 0.72 | 0.92 | 0.00 | 0.92 | 0.56 | 0.58 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.62 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |