open source audio identification
MusicBrainz recording
Until You Come Back
Whitney Houston
4:53
1c5b84fc-adc4-481c-9ddf-9d9ae200dbae
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
1,257
linking them to it
Fingerprints
29
distinct audio files
Duration
4:49–5:32
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
62b37aed-5984-4dc7-a0d2-8615ae474ce5
Also linked to
Until You Come Back by Whitney Houston, I Have Nothing by Whitney Houston
|
7 | 4:52–4:57 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | a8c3d548-2fb0-4c35-bbb9-7585fa495c60 | 1 | 5:32 | |||||||||||||||||||||||||||||||||||||||||||
| C | d79717b8-009b-4e4f-8d4a-688c6e7ee81a | 1 | 5:10 | |||||||||||||||||||||||||||||||||||||||||||
| D | 38292d6e-ae31-452f-9006-ee7f7bea3bd4 | 1 | 4:52 | |||||||||||||||||||||||||||||||||||||||||||
| E |
878f6695-1907-4548-8f58-d2938be59bf5
Also linked to
I Have Nothing by Whitney Houston, I Have Nothing by Whitney Houston and
|
11 | 4:49–4:56 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 47d6ace1-6dbd-4d50-8497-53df851a5007 | 1 | 4:52 | |||||||||||||||||||||||||||||||||||||||||||
| G |
2f9cace7-42ad-4bf8-9d2a-2308868dcae3
Also linked to
When You Believe (from The Prince of Egypt) by Mariah Carey and Whitney Houston, End Credits Pt.1 (When You Believe) by Hans Zimmer and
|
5 | 5:04–5:10 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | c9bca2cb-c25d-46d0-9bbb-2009223b6580 | 1 | 4:53 | |||||||||||||||||||||||||||||||||||||||||||
| I | 7f0c12be-f8ae-4ef6-894a-f311e3f39487 | 1 | 4:52 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.95 | 0.91 | 0.28 | 0.00 | 0.58 | 0.00 | 0.00 | 0.11 |
| B | 0.95 | — | 0.94 | 0.27 | 0.00 | 0.56 | 0.00 | 0.00 | 0.11 |
| C | 0.91 | 0.94 | — | 0.27 | 0.00 | 0.55 | 0.00 | 0.00 | 0.17 |
| D | 0.28 | 0.27 | 0.27 | — | 0.00 | 0.26 | 0.00 | 0.00 | 0.13 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.58 | 0.56 | 0.55 | 0.26 | 0.00 | — | 0.00 | 0.00 | 0.12 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.11 | 0.11 | 0.17 | 0.13 | 0.00 | 0.12 | 0.00 | 0.00 | — |