MusicBrainz recording
To Each His Own
The Ink Spots
3:09
1bf1cab0-bed2-443f-af89-2bef6e72c2f6
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
47
linking them to it
Fingerprints
37
distinct audio files
Duration
3:06–3:30
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d6dab531-3f2a-45df-bf10-3b1ac78b9907
Also linked to
To Each His Own by The Ink Spots, To Each His Own by The Ink Spots and
|
13 | 3:10–3:17 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
5388f85b-ed9b-43a6-97f1-662b91b2b38d
Also linked to
To Each His Own by The Ink Spots, To Each His Own by The Ink Spots and
|
13 | 3:10–3:14 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
dfba71b0-0de7-4877-9ac8-1de8474227d8
Also linked to
To Each His Own by Tony Martin, To Each His Own by Tony Martin and
|
8 | 3:08–3:11 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
c5436ac1-5579-4df5-af23-f18e8149d646
Also linked to
To Each His Own by Freddy Martin, To Each His Own by Freddy Martin and His Orchestra and
|
2 | 3:06 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | e106ef88-4c00-4075-a19e-14662cb5921b | 1 | 3:30 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.