AcoustID open source audio identification
MusicBrainz recording

(Sittin’ on) The Dock of the Bay

Otis Redding 2:42 original mono mix
1b4d4314-d270-43aa-bc52-01dc4afc2255 View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
78
linking them to it
Fingerprints
234
distinct audio files
Duration
2:35–2:53
range of submitted files

AcoustIDs

Most submitted first
AcoustID Most common fingerprint Fingerprints Length Sources
A c04dd65f-18ba-4f93-8638-c792cd86c88d
Also linked to (Sittin on) The Dock of the Bay by Otis Redding, This Is Soul by King Curtis & The Kingpins and
27 2:36–2:42
41
B adc7a977-f5df-4750-a147-913fd121184c
Also linked to (Sittin on) The Dock of the Bay by Otis Redding, (Sittin' On) The Dock of the Bay by Otis Redding and
105 2:39–2:46
14
C 9ae8bf7c-612f-4e84-844e-fdbf4aa0d500
Also linked to (Sittin on) The Dock of the Bay by Otis Redding, (Sittin' On) the Dock of the Bay by Otis Redding and
34 2:41–2:47
9
D 2213f0d8-93fd-412f-ba5a-1043b43695f4
Also linked to (Sittin on) The Dock of the Bay by Otis Redding, (Sittin’ on) The Dock of the Bay by Otis Redding and
2 2:53
4
E 97a025a6-7563-44a2-be78-a3b19c6bb4a3
Also linked to (Sittin on) The Dock of the Bay by Otis Redding, Sitting on the Dock of the Bay by Otis Redding and
4 2:49–2:51
3
F 32f045aa-bd0a-45dd-a0d1-ff0392a15db2
Also linked to (Sittin on) The Dock of the Bay by Otis Redding, (Sittin’ on) The Dock of the Bay by Otis Redding and
30 2:38–2:50
3
G dd0a9c6e-8bd7-4989-a4fc-0c9a83ada966
Also linked to (Sittin on) The Dock of the Bay by Otis Redding, (Sittin’ on) The Dock of the Bay by Otis Redding and
3 2:44
2
H 4461846c-b5e7-480f-beed-93af3a01ff65
Also linked to (Sittin on) The Dock of the Bay by Otis Redding, This Is Soul by King Curtis & The Kingpins and
22 2:35–2:44
1
I 70874e87-cc5d-4f8f-9a6a-bf5e7af42fa5
Also linked to (Sittin on) The Dock of the Bay by Otis Redding, (Sittin' on) The Dock of the Bay by Otis Redding and
7 2:45–2:50
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.

ABCDEFGHI
A — 0.55 0.54 0.00 0.00 0.53 0.96 0.54 0.00
B 0.55 — 0.92 0.53 0.79 0.77 0.55 0.85 0.50
C 0.54 0.92 — 0.55 0.82 0.79 0.53 0.89 0.52
D 0.00 0.53 0.55 — 0.58 0.39 0.00 0.56 0.92
E 0.00 0.79 0.82 0.58 — 0.73 0.00 0.85 0.61
F 0.53 0.77 0.79 0.39 0.73 — 0.54 0.80 0.41
G 0.96 0.55 0.53 0.00 0.00 0.54 — 0.54 0.00
H 0.54 0.85 0.89 0.56 0.85 0.80 0.54 — 0.55
I 0.00 0.50 0.52 0.92 0.61 0.41 0.00 0.55 —