MusicBrainz recording
Everlasting Love
Love Affair
2:53
1b463257-fb3e-443b-a224-c1e33e1e37eb
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
71
linking them to it
Fingerprints
48
distinct audio files
Duration
2:49–3:03
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
7e249263-4ca0-49a0-bd24-84f2e61a22fb
Also linked to
Everlasting Love by Love Affair, Everlasting Love (1968) by Love Affair
|
8 | 2:50–2:54 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
f4229509-55c1-491f-a551-595c594ba6f5
Also linked to
Everlasting Love by Love Affair, Everlasting Love by Love Affair and
|
11 | 2:52–2:59 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
b1ee19df-b82a-4a1b-a080-53675fc50f25
Also linked to
Everlasting Love by Love Affair, Everlasting Love by Love Affair and
|
15 | 2:52–2:59 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 87620f24-4629-4d57-b184-66edc0b7ff54 | 2 | 2:51–2:53 | ||||||||||||||||||||||||||||||||||||||
| E |
43e00fd5-d11b-4de7-b137-83a902dbf6fc
Also linked to
Everlasting Love by David Ruffin, Everlasting Love by David Ruffin and
|
6 | 2:58–3:03 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
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| F |
d2e10f0f-acfd-4bc2-ab61-8b1007030973
Also linked to
Everlasting Love by Love Affair, Everlasting Love by Love Affair
|
3 | 2:49–2:51 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
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| G |
00d5e65a-928b-4958-8c71-0522e31425dd
Also linked to
Everlasting Love by Steve Ellis’ Love Affair, Everlasting Love by Love Affair
|
3 | 2:52–2:54 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.