open source audio identification
MusicBrainz recording
Shame, Shame, Shame
Bryan Ferry
3:15
1b39cd26-7e4e-4434-b450-4cc8de7b31b1
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
392
linking them to it
Fingerprints
39
distinct audio files
Duration
3:12–3:59
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
09ec9b72-797b-4453-b69d-1f4d6419edd9
Also linked to
Shame Shame Shame by Bryan Ferry, Shame, Shame, Shame by Bryan Ferry and
|
8 | 3:15–3:17 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | cf875c25-3751-49c5-bc96-a8ab6fe66d8b | 1 | 3:23 | ||||||||||||||||||||||||||||
| C |
ae370c9e-29bb-4d48-b940-13f43ed1dd33
Also linked to
All I Need by The Temptations
|
5 | 3:18–3:19 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 46079caf-75a4-4fac-96ac-3cb65a72b711 | 1 | 3:17 | ||||||||||||||||||||||||||||
| E |
fd8b8232-3b54-49d8-b4c0-d5008e1a781d
Also linked to
All We Are by Warlock, All We Are by Warlock and
|
6 | 3:12–3:19 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
e27f5bda-a647-47d3-bc6e-bb70c639cb34
Also linked to
Before They Make Me Run by The Rolling Stones
|
2 | 3:16 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
c4d56c3f-74f9-4bac-a4e1-5ca17a252ed9
Also linked to
Forever Came Today by Diana Ross & The Supremes, Forever Came Today by Diana Ross & The Supremes and
|
11 | 3:19–3:22 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | b1f38313-d433-4fb7-b550-388930cfe809 | 1 | 3:59 | ||||||||||||||||||||||||||||
| I | cc8f27c1-c005-4729-9c5b-83161cac207f | 1 | 3:15 | ||||||||||||||||||||||||||||
| J | c3e1acca-3346-4365-a13d-310b7f873b8f | 2 | 3:13–3:14 | ||||||||||||||||||||||||||||
| K | 0582b8d4-8608-4a17-ac5d-9052c15c514e | 1 | 3:15 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.60 | 0.00 | 0.49 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.60 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.49 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.60 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.53 |
| J | 0.00 | 0.00 | 0.00 | 0.60 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.53 | 0.00 | — |