open source audio identification
MusicBrainz recording
Cry Now (Shady remix)
Obie Trice, Kuniva, Bobby Creekwater, Ca$his & Stat Quo
5:10
1b130027-82a2-4e79-a3e8-47601cc52a80
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
612
linking them to it
Fingerprints
19
distinct audio files
Duration
4:00–6:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
42835bf0-f530-4028-bf16-0740b21ac9d3
Also linked to
Cry Now (Shady remix) by Obie Trice, Kuniva, Bobby Creekwater, Cashis & Stat Quo, Cry Now (Shady remix) by Obie Trice, Kuniva, Bobby Creekwater, Cashis & Stat Quo and
|
8 | 5:09–5:10 | ||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
21cf0833-c5a0-4a24-a32c-9eab4053bffa
Also linked to
Diary of a Lovesong, Part 1 by A Perfect Circle, Diary of a Lovesong by A Perfect Circle
|
2 | 5:10 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 97f45932-94b9-4467-8200-1bd657f8e348 | 1 | 6:08 | ||||||||||||||||||||||||||||
| D | dfa62358-f1cc-4758-b05f-69438b3d2148 | 2 | 5:18–5:25 | ||||||||||||||||||||||||||||
| E |
7e0570b2-2ae6-42cf-8428-5322346f91ce
Also linked to
Smack That (remix) by Akon featuring Stat Quo & Bobby Creekwater
|
2 | 4:59–5:00 | ||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F | 4ed2e338-bc1b-4a36-998b-eadfd274249e | 1 | 4:41 | ||||||||||||||||||||||||||||
| G | 3c66fd18-8b0b-48bf-a3f6-c177a3be8614 | 1 | 5:10 | ||||||||||||||||||||||||||||
| H | c82f608a-74f5-4c58-956e-185e6993d6e4 | 1 | 5:09 | ||||||||||||||||||||||||||||
| I |
370d3fbc-15a1-4fec-bb92-23dcf0618865
Also linked to
Cry Now by Obie Trice, We’re Back by Eminem, Obie Trice, Stat Quo, Bobby Creekwater & Cashis
|
1 | 4:00 | ||||||||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.89 | 0.85 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.89 | 0.00 | — | 0.85 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.85 | 0.00 | 0.85 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |