MusicBrainz recording
Tell Me What You See
The Beatles
2:40
1a6ab71d-a1ea-4fb3-ab88-eebd578f9b16
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
90
linking them to it
Fingerprints
96
distinct audio files
Duration
2:34–2:54
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
f8e08895-da0f-4643-95a2-6b272c9ebd5d
Also linked to
Tell Me What You See by The Beatles, Tell Me What You See by The Beatles and
|
37 | 2:36–2:43 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
b26946e8-46a5-4f51-b34e-15a7765a6642
Also linked to
Tell Me What You See by The Beatles, Tell Me What You See by The Beatles and
|
23 | 2:38–2:44 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
c25aff2b-80cf-4dd8-b2ca-6454f3d2de84
Also linked to
Tell Me What You See by The Beatles, Tell Me What You See by The Beatles and
|
8 | 2:34–2:40 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
2d11e527-0f4b-40df-9212-dfb5916a65cd
Also linked to
Tell Me What You See by The Beatles, Tell Me What You See by The Beatles and
|
3 | 2:37–2:39 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
efcf2236-1003-4351-bd9c-32089871a33f
Also linked to
Tell Me What You See by The Beatles, Tell Me What You See by The Beatles and
|
23 | 2:36–2:42 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
c1078a67-ea97-4cd5-80b2-7ff204cd3639
Also linked to
Tell Me What You See by The Beatles, Tell Me What You See by The Beatles
|
2 | 2:51–2:54 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.