MusicBrainz recording
Across the Universe
The Beatles
3:27
1970 Glyn Johns mix
1a135e9a-9b50-42e4-be6b-cad9d40f942f
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
34
linking them to it
Fingerprints
33
distinct audio files
Duration
3:21–3:35
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
67693ddd-4db6-4bc0-9a37-8ced4d630dd4
Also linked to
Across the Universe by The Beatles, Across the Universe by The Beatles and
|
12 | 3:21–3:28 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
704744ea-0925-4cb4-8c08-ef60c338ee7f
Also linked to
Across the Universe by The Beatles, Across The Universe by The Beatles and
|
8 | 3:24–3:30 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
f6f570c5-7b10-4072-9a2a-2ace7da910d7
Also linked to
Across the Universe 7.84 by The Beatles, Across the Universe by The Beatles
|
1 | 3:21 | |||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
deb2334b-6b83-458e-a1eb-4ae3bb586c22
Also linked to
Across the Universe 7.135 by The Beatles
|
1 | 3:29 | |||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
0bf4fb1b-a738-4fe7-a838-4a8734752647
Also linked to
Across the Universe by The Beatles, Across the Universe by The Beatles and
|
2 | 3:22 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
36fac0fa-bc8f-48ae-8a82-225ecdb37eb8
Also linked to
Across the Universe 7.104 by The Beatles, Across the Universe by The Beatles
|
1 | 3:35 | |||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
2ecc8ce5-7b4e-4da1-9f44-9f54791275a8
Also linked to
Across the Universe by The Beatles
|
8 | 3:25–3:33 | |||||||||||||||||||||||||||||||||
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Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.