MusicBrainz recording
Hello Dolly
Louis Armstrong & His All-Stars
2:33
19f8f08a-c107-4338-9ea4-4e6f4172b5fd
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
201
linking them to it
Fingerprints
131
distinct audio files
Duration
2:23–2:39
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
7e60d6bf-b5d1-49f8-81ab-9bd57089ea50
Also linked to
Hello Dolly by Louis Armstrong, Thanks a Million by Louis Armstrong & His Orchestra and
|
8 | 2:30–2:35 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
6f1c57ec-8aed-4f83-a1b7-ff4671081cc5
Also linked to
Hello Dolly by Louis Armstrong, Hello Dolly by Ella Fitzgerald & Louis Armstrong and
|
34 | 2:27–2:34 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
da88290c-8f71-4c39-91d3-13baf11ee73c
Also linked to
Hello Dolly (live) by Louis Armstrong
|
6 | 2:29–2:34 | |||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
2aea7f42-c541-4539-bd2d-9ad90d515b68
Also linked to
Hello Dolly by Louis Armstrong
|
5 | 2:35–2:37 | |||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
c099d8f3-dd6c-49fb-95ba-c33b68c5e7df
Also linked to
Hello Dolly by Louis Armstrong, Hello, Dolly! by Louis Armstrong and the All Stars and
|
44 | 2:23–2:28 | |||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
15b429b9-c58b-4d5a-ac01-4c1f14809afc
Also linked to
Hello Dolly by Louis Armstrong, Hello, Dolly by Louis Armstrong & His All‐Stars and
|
25 | 2:23–2:32 | |||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
afb0d242-8890-4abd-9572-81454ad66c3a
Also linked to
Hello Dolly by Louis Armstrong
|
9 | 2:33–2:39 | |||||||||||||||||||||||||||||||||
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Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.