open source audio identification
MusicBrainz recording
’Til I Collapse Freestyle
50 Cent
1:39
1976ecc8-0fe5-4d4e-98ae-83a64e464a51
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
299
linking them to it
Fingerprints
18
distinct audio files
Duration
1:13–1:49
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
5aadddc5-c719-49fc-85b8-4c54c7c066bf
Also linked to
Till I Collapse by 50 Cent, Lantern Freestyle by 50 Cent
|
3 | 1:26 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||
| B |
a6e8f7ab-b8fd-4dc4-8979-1914101605b4
Also linked to
Collapse by 50 Cent & G‐Unit, Green Lantern by G‐Unit & 50 Cent and
|
6 | 1:41–1:46 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||
| C |
27314218-c56b-4d3d-aa10-b30c40c26538
Also linked to
Freestyle by Ol’ Dirty Bastard, Do You Hear the Bells (freestyle) by Wu‐Tang Clan
|
2 | 1:45–1:46 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
6a3087ac-5444-4fda-a25b-2d9691e8b369
Also linked to
Till I Collapse by 50 Cent
|
2 | 1:37 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||
| E | f9d4a925-a755-435d-bea8-d8d66396091b | 1 | 1:26 | ||||||||||||||||||||||||||||
| F | 627d5213-6256-4aec-b704-acc77c27da46 | 1 | 1:30 | ||||||||||||||||||||||||||||
| G | 37f818da-5cff-4e86-a6ec-f89de8631d5d | 1 | 1:49 | ||||||||||||||||||||||||||||
| H | c81d44ad-b095-4413-b419-e9b94d01160a | 1 | 1:46 | ||||||||||||||||||||||||||||
| I | afc112a1-bb2e-4fb8-9e78-ea33efe3a223 | 1 | 1:13 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.39 | 0.00 | 0.93 | 0.00 | 0.34 | 0.00 | 0.00 | 0.00 |
| B | 0.39 | — | 0.00 | 0.36 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.93 | 0.36 | 0.00 | — | 0.00 | 0.35 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.34 | 0.00 | 0.00 | 0.35 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |