MusicBrainz recording
You Ain’t Seen Nothin’ Yet
Bachman–Turner Overdrive
3:30
live, 1974‐08: Oakbrook Terrace Forum, Chicago, IL, USA
19740ecc-4a35-4e46-86d5-28157df51f3f
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
63
linking them to it
Fingerprints
116
distinct audio files
Duration
2:30–3:40
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
aad58df3-b076-46af-9b2a-05c670b6b242
Also linked to
You Ain’t Seen Nothing Yet by Bachman–Turner Overdrive, You Ain’t Seen Nothing Yet by Bachman–Turner Overdrive and
|
47 | 3:26–3:34 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B | 7333375c-7303-4b7a-928c-d87f05a22d9a | 2 | 3:27 | ||||||||||||||||||||||||||||||||||||||||||||||||
| C |
e73e063f-bec0-45ca-9002-cc8e9e0fe325
Also linked to
You Ain’t Seen Nothing Yet by Bachman–Turner Overdrive, You Ain’t Seen Nothing Yet by Bachman–Turner Overdrive and
|
33 | 3:34–3:40 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | 94fa88c3-ae1d-45ed-92d0-08ec44526c32 | 1 | 2:30 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E |
a8700254-5243-467e-994d-003ca29ef914
Also linked to
You Ain't Seen Nothing Yet by Alvin Stardust
|
2 | 3:30 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
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| F |
9d2a8d49-8f3f-4e5f-810e-79a121a5ec02
Also linked to
You Ain’t Seen Nothing Yet by Bachman–Turner Overdrive, You Ain’t Seen Nothing Yet by Bachman–Turner Overdrive and
|
31 | 3:28–3:35 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.