open source audio identification
MusicBrainz recording
Run Baby Run
Sheryl Crow
4:29
18df4b7a-fd12-49f5-a318-cf8d0c30fda0
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
160
linking them to it
Fingerprints
89
distinct audio files
Duration
4:07–4:55
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
8e94e3e8-648f-4e77-a24d-822aca0774bc
Also linked to
Run, Baby, Run by Sheryl Crow, Run Baby Run by Sheryl Crow and
|
8 | 4:25–4:30 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
bdb59acb-09ae-4bf0-a668-a0e05f68f588
Also linked to
Run, Baby, Run by Sheryl Crow, Run, Baby, Run by Sheryl Crow
|
12 | 4:48–4:55 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
42e52775-716b-40d3-8dd7-49eff1921af4
Also linked to
Run Baby Run by Sheryl Crow, Run, Baby, Run by Sheryl Crow and
|
3 | 4:40–4:43 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | 1a2e44ac-cc3c-4c49-94bc-f8eeb3957572 | 1 | 4:31 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
15852381-9ddc-4062-890d-3562fd2bf8f7
Also linked to
Starman by David Bowie, Starman (original single mix) by David Bowie and
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11 | 4:07–4:13 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
ee76ac32-4261-475f-8c43-d1ee6be8a909
Also linked to
Runaway Train by Soul Asylum, Runaway Train (album version) by Soul Asylum and
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54 | 4:21–4:28 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.