open source audio identification
MusicBrainz recording
Elle imagine…
Nacash
4:05
17a15e1a-985f-4f51-a915-b0cfe0b22be4
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
82
linking them to it
Fingerprints
58
distinct audio files
Duration
3:57–4:12
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
2fc18870-7e70-49ca-a20b-edcc471aac27
Also linked to
Elle imagine by Nacash, Elle imagine… by Nacash and
|
23 | 4:01–4:07 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
96232269-71b8-470d-a847-62a5dfb5c1ca
Also linked to
La Bombe humaine by Téléphone, La Bombe humaine (live) by Téléphone and
|
5 | 4:00–4:03 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 2da80c83-56ac-4e7e-ad35-2a0c4a536257 | 4 | 4:07–4:09 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
3831ebd6-fd2e-41db-bcdb-72a1a9e45ed9
Also linked to
Macao by Le Grand Orchestre du Splendid, Macao 4-1 (En public) by Le Grand Orchestre du Splendid
|
5 | 3:57–4:03 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
e16f8fb7-7eaa-46a1-9354-1ae5b2a16455
Also linked to
Silent Running by Mike + the Mechanics
|
10 | 4:05–4:12 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
5eed7b31-43b5-419f-aa4d-a8cbb26b2ae5
Also linked to
My Sharona by The Knack, My Sharona by The Knack and
|
11 | 4:01–4:06 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.