open source audio identification
MusicBrainz recording
Concierto, op. 8/1 “La Primavera”: Allegro
Musici di San Marco, Alberto Lizzio
3:33
16ec9fdb-c745-44d0-b5df-b61964710620
View on MusicBrainz →
AcoustIDs
2
linked to this recording
Submissions
5
linking them to it
Fingerprints
18
distinct audio files
Duration
3:28–3:39
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
b8f0de3f-994a-44d2-977f-999c1e5fcdb9
Also linked to
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro by Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal, Der Frühling - Allegro by Antonio Vivaldi and
|
5 | 3:32–3:39 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||
| B |
7688ff70-a790-4568-9286-a50bf0d0f1f5
Also linked to
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro by Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal, The Four Seasons: Spring: Allegro by [unknown] and
|
13 | 3:28–3:34 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.