open source audio identification
MusicBrainz recording
And Her Tears Flowed Like Wine
Stan Kenton
3:09
16ad8a2d-19b8-4260-bb25-48a66e7512ff
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
36
linking them to it
Fingerprints
85
distinct audio files
Duration
3:05–3:12
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 282c0e3e-2561-478a-8996-c1ca8b905a86 | 1 | 3:07 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
192ac742-984b-4b07-b0d3-5deadc3d881c
Also linked to
And Her Tears Flowed Like Wine by Anita O’Day, And Her Tears Flowed Like Wine by Stan Kenton & Anita O’Day and
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59 | 3:05–3:12 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
e8f1af78-31c2-4851-9679-5890086b6df3
Also linked to
And Her Tears Flowed Like Wine by Anita O’Day, And Her Tears Flowed Like Wine by Stan Kenton and His Orchestra and
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22 | 3:05–3:09 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
fd36348f-7d00-4746-9cdf-8e73ed856b3c
Also linked to
And Her Tears Flowed Like Wine by Stan Kenton and His Orchestra, And Her Tears Flowed Like Wine by Stan Kenton and His Orchestra and
|
1 | 3:07 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
37a95334-3af3-4a17-8a8c-1e90b1f86b85
Also linked to
And Her Tears Flowed Like Wine by Stan Kenton and His Orchestra, And Her Tears Flowed Like Wine by Anita O’Day and
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2 | 3:07–3:09 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.