open source audio identification
MusicBrainz recording
Alors on danse (extended mix)
Stromae
4:18
15faaac0-ed2c-42d8-bb35-7701e669ce3b
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
46
linking them to it
Fingerprints
42
distinct audio files
Duration
3:27–5:34
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | ff8c5c6c-4647-4436-b31b-528c0362caf2 | 8 | 4:13–4:19 | ||||||||||||||||||||||||||||
| B | 8dc0c7ae-4f3f-455f-9b7d-0d2b219403d6 | 2 | 3:55 | ||||||||||||||||||||||||||||
| C | 862eb64e-7442-4678-a3bf-1ee9e1aa7ec9 | 2 | 4:24–4:26 | ||||||||||||||||||||||||||||
| D |
dd6719e9-4200-45b0-969f-87dde902733c
Also linked to
Alors on danse by Stromae, Alors on danse by Stromae feat. Kanye West and
|
15 | 3:27–3:33 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 7947662f-ec48-4159-9adf-a04df3fdac89 | 2 | 4:16–4:17 | ||||||||||||||||||||||||||||
| F |
4bb79c75-bbd7-4f15-a427-f857368bccb4
Also linked to
Alors on Danse (extended mix) by Stromae
|
2 | 4:03–4:10 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
536c6492-afd6-4aaf-abc9-6f8bc52e372b
Also linked to
Alors on danse (remix) by Stromae feat. Kanye West & Gilbere Forte
|
3 | 3:49 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
f550e914-a00e-49f6-8038-1a3da706e10a
Also linked to
Alors on danse (Solo remix) by Stromae, Alors on danse (Solo dub remix) by Stromae
|
2 | 4:09–4:10 | ||||||||||||||||||||||||||||
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Recordings linked to H
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| I |
111630e4-194a-4aa8-9364-2132f62422e8
Also linked to
Alors on danse by Stromae
|
3 | 3:27 | ||||||||||||||||||||||||||||
|
Recordings linked to I
|
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| J | b5f5d795-edca-456b-b522-66470d25007b | 3 | 5:34 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.64 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.50 | 0.00 | 0.00 | 0.50 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.06 | 0.00 |
| F | 0.64 | 0.00 | 0.00 | 0.50 | 0.00 | — | 0.00 | 0.00 | 0.31 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.50 | 0.06 | 0.31 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |