open source audio identification
MusicBrainz recording
You Belong to the City
Eagles
live, 1994-06-09: Shoreline Amphitheater, Mountain View, CA, USA
142dfeb4-e421-4abc-bf42-ebc3da13354e
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
23
linking them to it
Fingerprints
17
distinct audio files
Duration
4:00–8:34
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | d54f9cac-3be2-436f-8d48-d47e6d685953 | 1 | 8:34 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
8dea56d2-d574-42fe-85fd-331f3c409d68
Also linked to
You Belong to the City by Eagles, You Belong to the City by Eagles and
|
3 | 7:50 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
666e2dde-9761-4199-9390-3cca657f65a2
Also linked to
Desperado by Eagles, Desperado (live) by Eagles and
|
4 | 4:14–4:21 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
b976ea68-8a04-43c0-80f6-6c02c98e9e96
Also linked to
Learn to Be Still by Eagles, Learn to Be Still by Eagles and
|
6 | 4:38–4:42 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
3aaff256-bd86-498a-adba-cca3b0b2ef65
Also linked to
You Belong to the City by Eagles, You Belong to the City by Eagles
|
2 | 8:05 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
f9d5f641-e214-44d6-bcc8-4eba6dbd9b16
Also linked to
Desperado by Eagles
|
1 | 4:00 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.