open source audio identification
MusicBrainz recording
All the Time
Barry Manilow
3:16
11b047d9-e5c4-44f9-a70e-74b634b7f9b4
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
423
linking them to it
Fingerprints
30
distinct audio files
Duration
3:16–4:42
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
4ab7d4a9-55e2-4f29-9a0d-76ab91a21e70
Also linked to
All the Time by Barry Manilow, Still Crazy After All These Years by Paul Simon and
|
12 | 3:17–3:20 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
65b8311e-c72c-4d82-b996-965daa649f2d
Also linked to
Copacabana (At the Copa) by Barry Manilow, Faster Than the Speed of Night by Bonnie Tyler and
|
2 | 4:42 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | b7dfae28-c0be-48f6-9cc8-140feb6739d1 | 1 | 3:21 | |||||||||||||||||||||||||||||||||
| D | f1ec5025-7a64-4274-9339-998676bba9db | 1 | 3:16 | |||||||||||||||||||||||||||||||||
| E |
b6e86855-23d7-4d94-8b3e-8f5c5d63046a
Also linked to
See the Show Again (live) by Barry Manilow
|
1 | 3:47 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 1dc06c79-aeee-4580-a6f8-6bcbccfd0ec0 | 1 | 3:18 | |||||||||||||||||||||||||||||||||
| G |
4a752e7c-30eb-47aa-b53c-78c4e527c459
Also linked to
Put a Quarter in the Jukebox by Barry Manilow with Ronnie Milsap
|
2 | 3:21–3:24 | |||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
71f196f3-f009-4282-8a3c-6603002e37e1
Also linked to
Lonely Together by Barry Manilow, Lonely Together by Barry Manilow and
|
10 | 4:16–4:23 | |||||||||||||||||||||||||||||||||
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Recordings linked to H
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.52 | 0.00 | 0.00 | 0.54 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.52 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.54 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |