open source audio identification
MusicBrainz recording
She’s Got You
Patsy Cline
3:01
1176d2aa-397c-4189-9bdd-35b0eca8fc05
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
1,255
linking them to it
Fingerprints
93
distinct audio files
Duration
2:58–3:29
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
fbb8b5b5-488b-4f6f-ade4-0fb27f8efe46
Also linked to
She’s Got You by Patsy Cline, She’s Got You by Patsy Cline and
|
21 | 2:58–3:04 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
eb6d0004-5287-4409-87b5-d73178c00016
Also linked to
She’s Got You by Patsy Cline, She’s Got You by Patsy Cline and
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27 | 2:58–3:04 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
bc91c427-2288-4af3-abb3-a4e1ee0abfeb
Also linked to
She’s Got You by Patsy Cline, She’s Got You by Patsy Cline and
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28 | 3:00–3:04 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
36f36fdc-58b9-42f8-b73c-0727eca3deda
Also linked to
She’s Got You by Patsy Cline, She’s Got You by Patsy Cline
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5 | 3:03–3:10 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E | ba4ed2d3-64e8-40ea-ba4f-2cd9c8ff459b | 2 | 3:01 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F | 7235a4a7-3191-4bb3-921c-33a6789a8b08 | 1 | 3:29 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| G |
169ba0c3-7695-40e4-a0c0-b8fd8e1036c1
Also linked to
She’s Got You by Patsy Cline
|
4 | 2:58–2:59 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H | ced6b59c-0c4c-45f9-8c9d-2ee7ed8f4d15 | 1 | 2:59 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| I | cfd4f54e-5a8e-403f-afc3-d8fce712be45 | 1 | 2:59 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| J | f66f2d01-fd55-44ff-897d-b41e8880e6ed | 1 | 3:00 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| K | 390801f3-e9d9-48e0-b154-7db51f59bc95 | 1 | 2:59 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| L | 29bc4280-a04c-4806-8695-2f358c609428 | 1 | 3:00 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.72 | 0.00 | 0.00 | 0.61 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.72 | — | 0.44 | 0.00 | 0.63 | 0.41 | 0.32 | 0.39 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.44 | — | 0.81 | 0.56 | 0.94 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.81 | — | 0.55 | 0.87 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.61 | 0.63 | 0.56 | 0.55 | — | 0.55 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.41 | 0.94 | 0.87 | 0.55 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.32 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.39 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.49 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.49 | 0.00 | 0.00 | — |