MusicBrainz recording
Spirits in the Material World
The Police
2:57
live, 1983-11: Omni Coliseum, Atlanta, GA, USA
10ad4b5e-3d52-45a5-ba67-d34287b960ad
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
754
linking them to it
Fingerprints
51
distinct audio files
Duration
2:54–3:05
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
046914ec-8d92-4446-95a0-00bc2591292e
Also linked to
Spirits in the Material World by The Police, Spirits in the Material World by The Police and
|
2 | 2:57 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
b7029472-4ec6-4618-bdf6-b0c9b57124ae
Also linked to
Spirits in the Material World by The Police, Spirits in the Material World by The Police and
|
46 | 2:54–3:01 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
7c9b64b1-5a2e-44a7-a267-8f02f3fe487b
Also linked to
Spirits in the Material World by The Police, Spirits in the Material World by The Police
|
1 | 3:05 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | 1d2533c6-4973-4c6e-a577-5070227f0677 | 1 | 2:57 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | 18eb56c9-fb42-420a-959d-7c87011a23ac | 1 | 2:57 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.