open source audio identification
MusicBrainz recording
I Just Can't Stop Loving You
Michael Jackson
4:22
live, 1992: Bukarest, Romania
101f157c-9bd7-4aa4-ba19-64aa1db69048
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
41
linking them to it
Fingerprints
38
distinct audio files
Duration
4:10–4:27
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
822e8da1-aa06-43ae-807a-0bad689344eb
Also linked to
I Just Can't Stop Loving You by Michael Jackson, I Just Can't Stop Loving You by Michael Jackson
|
3 | 4:22–4:27 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
c5a840c9-9844-4cb9-bf7b-99f0f5050736
Also linked to
I Just Can’t Stop Loving You by Michael Jackson, I Just Can’t Stop Loving You (7″ mix) by Michael Jackson
|
7 | 4:11–4:14 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
9933208c-ad35-4b59-aba4-31aeb7f1ac78
Also linked to
I Just Can’t Stop Loving You by Michael Jackson, I Just Can't Stop Loving You (album version) by Michael Jackson and
|
3 | 4:18–4:21 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
c7006402-6c99-43fd-8f4d-46d7bc1805b1
Also linked to
I Just Can’t Stop Loving You by Michael Jackson, I Just Can’t Stop Loving You by Michael Jackson and
|
1 | 4:14 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
a74edaa2-f509-4679-a708-2ee0a6b0a7c3
Also linked to
I Just Can’t Stop Loving You by Michael Jackson, I Just Can’t Stop Loving You by Michael Jackson feat. Siedah Garrett and
|
24 | 4:10–4:16 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.