open source audio identification
MusicBrainz recording
Maybelline
Chuck Berry
2:39
100b446f-83ff-49e6-8f7b-83eb78a38447
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
5
linking them to it
Fingerprints
60
distinct audio files
Duration
2:33–2:42
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
5f2747c4-031b-4aa4-8cbf-c8329d28f8ce
Also linked to
Maybelline by Chuck Berry, Maybelline by Chuck Berry and
|
20 | 2:34–2:39 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
0c8f68e7-1e90-4960-ad48-0eb8780c1d46
Also linked to
Maybelline by Chuck Berry, Maybelline by Chuck Berry and
|
24 | 2:35–2:42 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
c18845b9-9d2a-4265-91ad-038461592c2c
Also linked to
Maybelline by Chuck Berry, Maybelline by Chuck Berry and
|
11 | 2:33–2:39 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
1ee17909-25ce-4bff-9c42-73fa8385316c
Also linked to
Maybelline by Chuck Berry, Maybelline by Chuck Berry and
|
5 | 2:38–2:39 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.