open source audio identification
MusicBrainz recording
Ill Street Blues
Moonrock
3:45
0fe3e18b-b023-4cc8-8aef-e4e80b7db73a
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
604
linking them to it
Fingerprints
27
distinct audio files
Duration
3:39–3:59
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
1a9462bd-e4d0-4176-90f5-f3355805eccf
Also linked to
Ill Street Blues by Moonrock, Tagore Street Blues by Debashish Bhattacharya & Bob Brozman
|
11 | 3:44–3:49 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
35bbec52-8fb4-452f-8541-e52d567ef83a
Also linked to
The Look of Love by Dusty Springfield, The Look of Love by Dusty Springfield and
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5 | 3:39–3:41 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
5e707d20-378c-4ea3-b5f1-bd79afe3ca5c
Also linked to
Gymnopédie No. 1 by Javier Losada, The City of Prague Philharmonic Orchestra, Gymnopedie by Café del Mar and
|
5 | 4:33–4:36 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
cecc6cc3-02f8-4f14-98a3-69c803807984
Also linked to
Ill Street Blues by Kool G. Rap & D.J. Polo, Ill Street Blues (Illest version) by Kool G. Rap & D.J. Polo and
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8 | 3:46–3:48 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
c015c102-eede-4f86-a780-67a99fede989
Also linked to
68 Moves by The Underwolves
|
5 | 3:39–3:45 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | 0e522070-22ab-4944-852d-631db1275567 | 1 | 3:46 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | 308b33b1-3507-465e-b76b-da012edd64f8 | 1 | 19:58 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H | 388f0e48-a54d-4b52-9259-f31d15d6c4e0 | 1 | 3:46 | ||||||||||||||||||||||||||||||||||||||||||||||||
| I |
a6d64f2d-0b21-461f-ad7e-858f52eefb09
Also linked to
Adiós Ayer by José Padilla, Adios ayer by José Padilla and
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2 | 5:36–5:37 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to I
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| J | a70d6c66-7cb6-4dd3-a546-3afb82e6d045 | 1 | 3:59 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.88 | 0.00 | 0.00 | 0.86 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.88 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.91 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.86 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.91 | 0.00 | 0.00 | — |