open source audio identification
MusicBrainz recording
Keep Your Head to the Sky
Earth, Wind & Fire
5:11
0e91c41e-2c13-4bf6-9e41-c302b77817b7
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
873
linking them to it
Fingerprints
36
distinct audio files
Duration
5:06–5:34
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
03198162-de71-40d4-92a4-9d203dedf12c
Also linked to
Keep Your Head to the Sky by Earth, Wind & Fire, Keep Your Head to the Sky by Earth, Wind & Fire and
|
13 | 5:09–5:12 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 61fa3f90-7274-42a9-857e-9dcb3842b5d6 | 2 | 5:09–5:11 | ||||||||||||||||||||||||||||||||||||||
| C |
8abf7761-764f-426b-8e50-ddde5ae6ad34
Also linked to
Keep Your Head to the Sky by Earth, Wind & Fire
|
4 | 5:09–5:10 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | a4d2b850-7364-402f-a696-5d325115169a | 1 | 5:08 | ||||||||||||||||||||||||||||||||||||||
| E |
8137ec0f-b059-40c6-a507-f23a34e5c309
Also linked to
Let Your Feelings Show by Earth, Wind & Fire, Let Your Feelings Show by Earth, Wind & Fire and
|
12 | 5:11–5:16 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 4dc4e10f-8283-4ca7-b639-d8cf83d09bd0 | 1 | 5:09 | ||||||||||||||||||||||||||||||||||||||
| G | f7ce068d-7206-4f86-9fe7-950c78c3bcad | 1 | 5:06 | ||||||||||||||||||||||||||||||||||||||
| H | b9614754-1ed0-4075-987b-2263746739a6 | 1 | 5:34 | ||||||||||||||||||||||||||||||||||||||
| I |
0944b896-2db3-4d96-a3d2-a45d3faf6254
Also linked to
Promises in the Dark by Pat Benatar
|
1 | 5:06 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.60 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.84 | 0.00 |
| B | 0.60 | — | 0.50 | 0.00 | 0.00 | 0.00 | 0.00 | 0.61 | 0.00 |
| C | 0.00 | 0.50 | — | 0.62 | 0.00 | 0.00 | 0.57 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.62 | — | 0.00 | 0.00 | 0.58 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.57 | 0.58 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.84 | 0.61 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |