open source audio identification
MusicBrainz recording
You’re the Right One
Dean Martin
3:10
0e60edb2-c41f-4cce-9fe7-b7afab85754a
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
37
linking them to it
Fingerprints
71
distinct audio files
Duration
2:51–3:27
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
450443b1-c647-45d0-b092-136605a37112
Also linked to
The Naughty Lady of Shady Lane by Dean Martin, The Naughty Lady of Shady Lane by Dean Martin and
|
34 | 2:51–2:57 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
7d024c8f-a9d3-4f73-b69a-04818961cbdc
Also linked to
You’re the Right One by Dean Martin, That’s Amore by Dean Martin
|
10 | 3:07–3:13 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
afc2ee54-6c2e-4558-8800-d3cdb54409ea
Also linked to
That’s Amore by Dean Martin
|
19 | 3:09–3:17 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
f6b1b645-7f9b-4143-832b-227a65cb97e6
Also linked to
As Time Goes By by Ingrid Bergman & Dooley Wilson
|
6 | 3:04–3:09 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E | 4e8f42a6-eccc-4e7c-b27a-220592e4f1e7 | 1 | 3:27 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| F | ba77dfa9-7967-471c-9896-4f41a460515f | 1 | 3:10 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.