open source audio identification
MusicBrainz recording
Tin Pan Alley (a.k.a. Roughest Place in Town)
Stevie Ray Vaughan and Double Trouble
9:12
0e1033db-817f-4d9b-9df3-d3d6dbc302eb
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
761
linking them to it
Fingerprints
36
distinct audio files
Duration
9:08–9:19
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
7a784835-74c7-4bee-92f7-cd0e54dfe130
Also linked to
Tin Pan Alley by Stevie Ray Vaughan and Double Trouble, Tin Pan Alley (a.k.a. the Roughest Place in Town) by Stevie Ray Vaughan and Double Trouble and
|
21 | 9:08–9:14 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
259ae5da-8e23-404a-8193-9760e2492ffd
Also linked to
Tin Pan Alley by Stevie Ray Vaughan and Double Trouble, Tin Pan Alley by Stevie Ray Vaughan and
|
8 | 9:13–9:19 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
|
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| C |
c9b91820-1f69-40a4-8922-e268c8b44602
Also linked to
Tin Pan Alley by Stevie Ray Vaughan and Double Trouble, Tin Pan Alley (aka Roughest Place In Town) by Stevie Ray Vaughan and Double Trouble and
|
2 | 9:12–9:13 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
b6b07173-6520-4c91-be5d-3e5d4f68090f
Also linked to
Tin Pan Alley by Stevie Ray Vaughan and Double Trouble, Tin Pan Alley by Stevie Ray Vaughan and
|
5 | 9:09–9:17 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.