open source audio identification
MusicBrainz recording
The Changeling
The Doors
4:25
40th anniversary mix
0d8b41c3-a4bf-4b43-8f8b-104c8aa9faa3
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
1,242
linking them to it
Fingerprints
102
distinct audio files
Duration
4:15–4:49
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
602ab716-ffdb-4b6f-9182-565d8b7cd0c2
Also linked to
The Changeling by The Doors, The Changeling (5.1 mix) by The Doors and
|
18 | 4:20–4:27 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||
| B |
8df59ff1-780e-47a2-b84f-de7eb7112ad5
Also linked to
The Changeling by The Doors, The Changeling by The Doors and
|
62 | 4:17–4:24 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||
| C |
b46eafa6-528e-4ff0-9b93-fb5136d8f7d4
Also linked to
The Changeling (alternate version) by The Doors, The Changeling (alternate version) by The Doors
|
2 | 4:49 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||
| D |
d8680ffe-ee98-42e8-b74c-ee5f23512a7c
Also linked to
The Changeling by The Doors
|
5 | 4:15–4:21 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||
| E | 5609acb3-00ea-4b0a-80bf-7062584f3f98 | 1 | 4:24 | ||||||||||||||||||||||||||||||||||||||
| F |
44afa9e3-48dd-4cf0-80ca-a77433d7046b
Also linked to
The Changeling by The Doors, The Changeling by The Doors
|
5 | 4:25–4:27 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
|||||||||||||||||||||||||||||||||||||||||
| G |
ae408418-f2c4-488f-ad78-1b266620e04b
Also linked to
The Changeling by The Doors
|
4 | 4:22–4:24 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
|||||||||||||||||||||||||||||||||||||||||
| H | e19d665f-28b3-43d3-8d51-96688dd07c85 | 1 | 4:24 | ||||||||||||||||||||||||||||||||||||||
| I | 32ee3fa1-a5d8-4650-93de-6b8db4443271 | 1 | 4:26 | ||||||||||||||||||||||||||||||||||||||
| J | a7be5e9d-b76d-49ad-b713-783f9b2fa1f0 | 1 | 4:24 | ||||||||||||||||||||||||||||||||||||||
| K | b812b11a-e0d8-43d3-88e8-7495bf6e8dd6 | 1 | 4:25 | ||||||||||||||||||||||||||||||||||||||
| L | d06d5f95-6aae-4c87-b4e8-b17970c385e6 | 1 | 4:26 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.80 | 0.00 |
| B | 0.00 | — | 0.00 | 0.72 | 0.00 | 0.79 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.72 | 0.00 | — | 0.00 | 0.63 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.79 | 0.00 | 0.63 | 0.00 | — | 0.37 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.37 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.80 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |