open source audio identification
MusicBrainz recording
Thunderbirds Are Go
Busted
3:10
0b791462-de46-4611-b13f-815dd28edf4e
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
456
linking them to it
Fingerprints
20
distinct audio files
Duration
3:06–4:13
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
fbfa5845-8170-4131-a22f-e822ff69fe44
Also linked to
Thunderbirds Are Go! by Busted, Meet You There by Busted and
|
5 | 3:06–3:10 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
ac864f98-17da-4582-938b-6ac13066cd1a
Also linked to
Thunderbirds are Go by Busted
|
4 | 3:10–3:16 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
1b12d682-c1a9-4ebd-ac46-fca495582f09
Also linked to
Thunderbirds Are Go! by Busted, My Church by Maren Morris
|
4 | 3:13–3:16 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
b72114ed-b4c8-4a4e-8bc2-4a5e5ed7823c
Also linked to
Thunderbirds Are Go! by Hans Zimmer, Thunderbirds Are Go! by Busted
|
2 | 3:19 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | e9807459-fbcd-4f5c-9d51-77f2de816932 | 1 | 3:06 | |||||||||||||||||||||||||||||||||
| F | 8fb0661e-1df2-4789-b9b5-3d5d2280d58e | 1 | 4:13 | |||||||||||||||||||||||||||||||||
| G |
9524de9f-b294-4bc5-b840-4cc522dc5cd8
Also linked to
Where Them Girls At by David Guetta feat. Flo Rida and Nicki Minaj, Where Them Girls At by David Guetta feat. Flo Rida & Nicki Minaj and
|
2 | 3:11–3:12 | |||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | ba9cc81d-273f-4fcf-8216-f4479235d506 | 1 | 3:29 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.95 | 0.00 | 0.94 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.95 | — | 0.00 | 0.91 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 1.00 | 1.00 | 0.00 | 0.90 |
| D | 0.94 | 0.91 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 1.00 | 0.00 | — | 1.00 | 0.00 | 0.91 |
| F | 0.00 | 0.00 | 1.00 | 0.00 | 1.00 | — | 0.00 | 0.90 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.90 | 0.00 | 0.91 | 0.90 | 0.00 | — |