open source audio identification
MusicBrainz recording
So Much in Love
All‐4‐One
3:33
0afd834c-2eec-4f00-9429-9492ab8b368f
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
753
linking them to it
Fingerprints
32
distinct audio files
Duration
3:24–4:19
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
2d6f3ace-d397-41db-9c89-5620d41399a2
Also linked to
So Much in Love (Groove remix) by All‐4‐One, So Much in Love (a cappella mix) by All‐4‐One and
|
12 | 3:29–3:33 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 2d08ef41-fdc2-4ff6-a26e-68ef0ed4b9c8 | 2 | 4:18–4:19 | |||||||||||||||||||||||||||||||||||||||||||
| C |
814b0232-c086-41a4-8709-c49d72601ddd
Also linked to
I Love Music by The O’Jays, I Love Music, Part 1 by The O’Jays and
|
2 | 3:34–3:36 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 60c29c83-9203-4e36-8f94-a103cde4ebee | 1 | 3:36 | |||||||||||||||||||||||||||||||||||||||||||
| E | f807a915-c98a-49cb-9ef9-4502a3e517ba | 2 | 3:39–3:41 | |||||||||||||||||||||||||||||||||||||||||||
| F | d8ff4be1-23ac-4471-aaf4-36434cc256aa | 2 | 3:35 | |||||||||||||||||||||||||||||||||||||||||||
| G |
d292464c-ba2b-4b9e-ad2d-3a7f63c43353
Also linked to
So Much in Love (radio mix) by All‐4‐One
|
4 | 3:35–3:36 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
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| H |
fd282f09-7461-4147-9dd5-963cf38e14f9
Also linked to
True by Ryan Cabrera, True (Acoustic) by Ryan Cabrera and
|
6 | 3:24–3:26 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I | df344b41-c0b4-44d6-864c-29dbf2089d9f | 1 | 3:33 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.94 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.94 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |