open source audio identification
MusicBrainz recording
Rock 'n' Roll Is King
Electric Light Orchestra
3:37
0aaab0c3-bd99-4f85-8f3b-0235246349bc
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
16
linking them to it
Fingerprints
37
distinct audio files
Duration
3:20–3:49
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
55042cf6-6e1c-45d8-bf16-db0327b99d60
Also linked to
Rock ’n’ Roll Is King by Electric Light Orchestra, Rock ’n’ Roll Is King by Electric Light Orchestra and
|
13 | 3:35–3:40 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
68887b79-656b-4f67-9e35-340d6366a80d
Also linked to
Rock ’n’ Roll Is King by Electric Light Orchestra, Rock and Roll Is King by Electric Light Orchestra and
|
4 | 3:23–3:30 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
7d33f5b7-58ab-44ec-8e6e-9594e80e54de
Also linked to
Rock ’n’ Roll Is King by Electric Light Orchestra, Rock and Roll Is King by Electric Light Orchestra and
|
16 | 3:44–3:49 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
e087aff6-6866-4fc1-bcca-54e47cd3eccc
Also linked to
Rock'n Roll Is King by Electric Light Orchestra
|
4 | 3:20–3:24 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.