open source audio identification
MusicBrainz recording
Me & Mrs. Jones
Billy Paul
live
0a240390-eb7b-4daa-bc4e-992833f06ae9
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
13
linking them to it
Fingerprints
26
distinct audio files
Duration
3:37–20:00
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
65bb03d0-aa61-40e3-acaf-20d4b57ddffe
Also linked to
Billy Paul by Me & Mr. Jones, Me and Mrs. Jones by Billy Paul
|
2 | 5:17 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
d0070968-82b6-478d-8a6c-3a53acd73a05
Also linked to
Me and Mrs. Jones by Billy Paul, Me and Mrs Jones (Re-Recorded) by Billy Paul and
|
15 | 4:48–4:53 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
f53fdd36-f47d-433b-bba6-39c369f65d2c
Also linked to
Me and Mrs. Jones by Billy Paul with Harold Melvin & The Blue Notes, Me and Mrs Jones by Harold Melvin & Billy Paul
|
3 | 5:45–5:52 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 923eaeba-1789-4d3b-b92a-114b1ebc7305 | 1 | 4:06 | ||||||||||||||||||||||||||||||||||||||
| E |
954fd6b8-38ab-4fef-89ab-14835381c472
Also linked to
Sure Hope You Mean It by Raphael Saadiq
|
1 | 8:29 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | cd592971-fc40-4f01-8f6d-4fc1a44e68d7 | 1 | 4:12 | ||||||||||||||||||||||||||||||||||||||
| G | b6571aa3-138d-4ad0-8db8-be13807c457a | 1 | 20:00 | ||||||||||||||||||||||||||||||||||||||
| H |
25e178eb-e797-4835-93bc-1d308e1365c4
Also linked to
Me and Mrs. Jones by Billy Paul, Me and Mrs. Jones (single edit) by Billy Paul
|
2 | 3:37–3:39 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.79 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.87 | 0.62 | 0.00 |
| C | 0.79 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.87 | 0.00 | 0.00 | 0.00 | — | 0.59 | 0.00 |
| G | 0.00 | 0.62 | 0.00 | 0.00 | 0.00 | 0.59 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |