open source audio identification
MusicBrainz recording
Ice Queen (acoustic version)
Within Temptation
3:50
09d87971-e61a-401f-a92e-b4159c5f9051
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
18
linking them to it
Fingerprints
18
distinct audio files
Duration
3:35–3:52
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
a3c739d1-2afc-4002-a663-25dcd7fc2464
Also linked to
Ice Queen (acoustic 2002) by Within Temptation
|
3 | 3:50–3:52 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
d53465bd-7bb8-4f71-a7f5-247f255e45ea
Also linked to
Ice Queen (acoustic at MXL) by Within Temptation, Ice Queen (acoustic at "MXL") by Within Temptation and
|
2 | 3:52 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
3f01cf12-b8fd-49ce-beee-05b476a889c5
Also linked to
Ice Queen (live acoustic version) by Within Temptation
|
1 | 3:47 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
70b9e97f-32a2-4148-a7eb-ecc28a567526
Also linked to
Ice Queen (Acoustic at Pinkpop) by Within Temptation
|
3 | 3:35–3:38 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
d1b7fa0d-3753-41f7-af9c-c120e67699e3
Also linked to
Ice Queen by Within Temptation, Ice Queen (single edit) by Within Temptation and
|
9 | 3:49–3:52 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.