open source audio identification
MusicBrainz recording
Don’t Cha (live)
Pussycat Dolls
3:31
09733702-a2ff-4c6e-a7e7-77f6bcbe2183
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
78
linking them to it
Fingerprints
39
distinct audio files
Duration
3:27–3:45
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
9ec89171-08e0-46e1-ba30-5c6299d3b80e
Also linked to
Don't Cha (radio edit) by Pussycat Dolls feat. Busta Rhymes, Don’t Cha by The Pussycat Dolls feat. Busta Rhymes and
|
23 | 3:36–3:43 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
ee9bdaee-b65e-4bbf-8e5c-6342413b0dbb
Also linked to
Don't Cha (live version) by The Pussycat Dolls
|
3 | 3:30 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
754a536f-87b4-496d-9a32-7e667d19d0b7
Also linked to
Don't Cha (radio edit) by Pussycat Dolls feat. Busta Rhymes, Don’t Cha by The Pussycat Dolls and
|
7 | 3:35–3:39 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
2906f341-c7e9-479c-9f5b-45ed798567d0
Also linked to
I Don’t Need a Man by The Pussycat Dolls, Don't Cha (radio edit) by Pussycat Dolls feat. Busta Rhymes
|
3 | 3:40–3:45 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E | a473ecd0-8eac-4e91-b100-3482cfa98d93 | 1 | 3:27 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F | d1179f1a-d3e4-426b-87a6-5b787667a1ba | 1 | 3:32 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G |
a3bb16a2-a2ff-4ae7-b4c7-10174d86b172
Also linked to
Don’t Cha by The Pussycat Dolls
|
1 | 3:27 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.