open source audio identification
MusicBrainz recording
For You Blue
The Beatles
080ef023-f63e-4810-a353-2b965c0ef8ea
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
33
linking them to it
Fingerprints
79
distinct audio files
Duration
2:26–8:54
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
925f2afa-8f6a-4f80-ad9b-aa3d1cbac7ee
Also linked to
For You Blue by The Beatles, For You Blue by The Beatles and
|
40 | 2:29–2:35 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
e5a14714-06b7-49f1-aac3-cb0284d13915
Also linked to
For You Blue by The Beatles, Two of Us / Maggie Mae by The Beatles
|
1 | 4:19 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
1f097811-a121-4422-8177-07ce78c44f79
Also linked to
[dialogue] / For You Blue by The Beatles, For You Blue by The Beatles
|
2 | 8:53–8:54 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
6f5e77b2-a346-41dc-b78e-b4ea266fb3ae
Also linked to
For You Blue by The Beatles, For You Blue by Laibach and
|
2 | 4:58–5:00 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
81b93e73-5533-4ec0-8454-fad2db72d7b9
Also linked to
For You Blue by The Beatles, For You Blue by The Beatles and
|
10 | 2:50–2:56 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
3605a898-009a-4249-84dc-e0b9ab2ed5b0
Also linked to
For You Blue by The Beatles, For You Blue by The Beatles and
|
24 | 2:26–2:36 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.