MusicBrainz recording
Stand My Ground
Within Temptation
3:48
07880e3b-7abd-4153-b577-58677dc49e02
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
59
linking them to it
Fingerprints
20
distinct audio files
Duration
3:43–4:13
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
594a7aea-e0cd-47e1-864e-bfd097bc9b8e
Also linked to
Stand My Ground by Within Temptation, Stand My Ground (single version) by Within Temptation and
|
4 | 3:46–3:48 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||
| B | b90d352e-7618-4dec-8fd4-d3fa9068e97a | 1 | 3:44 | ||||||||||||||||||||||||||||||||||||||
| C |
4d8de5c4-ecd5-4675-9aaf-ab712b13b63a
Also linked to
Stand My Ground by Within Temptation, Stand My Ground (acoustic) by Within Temptation and
|
1 | 3:56 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||
| D |
ee06f035-40de-4bf4-b6b1-a42ebea20780
Also linked to
I Miss You by blink‐182
|
3 | 4:10–4:13 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||
| E |
ad5577fc-2e32-48d1-8c02-0f8c41d247dc
Also linked to
Hey Mama by The Black Eyed Peas, Hey Mama (international radio/video) by The Black Eyed Peas
|
8 | 3:43–3:48 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
|||||||||||||||||||||||||||||||||||||||||
| F |
456c7145-e0d0-41d2-90c2-5a7e6c4f11c2
Also linked to
Stand My Ground (acoustic) by Within Temptation, Stand My Ground by Within Temptation
|
3 | 3:48 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
|||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.