open source audio identification
MusicBrainz recording
Soulmate
Natasha Bedingfield
3:33
05e29feb-f5b4-4ccd-a952-79e9bb33e34c
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
1,344
linking them to it
Fingerprints
22
distinct audio files
Duration
2:58–3:41
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d61e3c1e-9c1f-48e1-94cc-4c982db7fef2
Also linked to
Soulmate (instrumental) by Natasha Bedingfield, Soulmate by Natasha Bedingfield and
|
11 | 3:31–3:36 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||
| B |
0bf3084e-092a-441d-ab76-9f884e709f0c
Also linked to
Soulmate by Natasha Bedingfield, Soulmate (instrumental) by Natasha Bedingfield
|
2 | 3:27–3:28 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||
| C |
0ae37b01-7735-4d9b-94a7-9e9eb0e9eb8c
Also linked to
Soulmate (instrumental) by Natasha Bedingfield
|
2 | 3:41 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||
| D | 7178d0d4-076c-4472-8261-12a895fc52f6 | 2 | 3:29–3:30 | ||||||||||||||||||||||||||||||||||||||
| E | 087e65d5-29a3-4698-ba2a-fb6d49b6cb1b | 1 | 3:39 | ||||||||||||||||||||||||||||||||||||||
| F | 8bf801e6-841a-43b9-9e86-89abc363d6e2 | 1 | 3:32 | ||||||||||||||||||||||||||||||||||||||
| G | ab786909-be5d-442b-ad45-557ce8861c38 | 1 | 3:34 | ||||||||||||||||||||||||||||||||||||||
| H | f5368f63-b17d-4f2b-bff0-ce8dd5689ddb | 1 | 3:08 | ||||||||||||||||||||||||||||||||||||||
| I | 879d76b8-1ae4-45a7-895b-e20994e73fa0 | 1 | 2:58 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.88 | 0.81 | 0.71 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.88 | — | 0.92 | 0.71 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.81 | 0.92 | — | 0.74 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.71 | 0.71 | 0.74 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.58 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.58 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |