open source audio identification
MusicBrainz recording
Tonight’s the Night, Part II
Neil Young with The Santa Monica Flyers
4:52
05ba3f54-0ce5-48a6-bf6d-490959ae5724
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
1,353
linking them to it
Fingerprints
36
distinct audio files
Duration
4:41–5:17
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
b389397e-8432-4e7b-bc44-065e168babfe
Also linked to
Tonight’s the Night by Neil Young with The Santa Monica Flyers
|
9 | 4:51–4:57 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
93761f56-9350-4f77-8772-7fb5b1e2b25d
Also linked to
Tonight’s the Night, Part II by Neil Young & The Santa Monica Flyers, Tonight's the Night - Part II by Neil Young With The Santa Monica Flyers
|
1 | 5:17 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
2e8d69c0-5e90-4dca-ae13-db02da86a4b5
Also linked to
I Shall Be Released (finale) by The Band, Tonight’s the Night by Neil Young with The Santa Monica Flyers and
|
2 | 4:44 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
9f4c1c04-9f37-42c7-855c-7099cb3a0b42
Also linked to
Tonight’s the Night by Neil Young with The Santa Monica Flyers, Tonight’s the Night, Part 1 by Neil Young & Crazy Horse and
|
16 | 4:41–4:45 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E | 742cfe6d-9474-418a-a820-8548ccce0a27 | 2 | 4:52 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F | 811d95d6-b5c3-4dbc-b85f-1e2d687f137d | 1 | 4:51 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| G | fb6bb5ed-b636-441e-b8a8-3250d94aadd4 | 1 | 4:44 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| H | 3ac7223c-7610-4922-80aa-f767f497d7b7 | 2 | 5:08–5:11 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| I | bd674607-55e2-4c9c-b011-4c8d5d373b0b | 1 | 4:52 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| J | d8478cb9-30ae-4c81-986f-cb4c0b43a458 | 1 | 4:52 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.38 | 0.00 | 0.00 | 0.92 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.38 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.47 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.92 | 0.00 | 0.00 | 0.00 | 0.47 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |