open source audio identification
MusicBrainz recording
Shout
Tears for Fears
4:05
US single version
04a57bca-9372-4957-8380-c4045848147d
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
1,010
linking them to it
Fingerprints
48
distinct audio files
Duration
3:50–4:29
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 4240e1e6-3f63-4def-beb4-27e559281824 | 13 | 4:02–4:08 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||
| B |
1d57b2fb-0a5b-434a-82f0-1084bd93458f
Also linked to
Shout (U.S. single edit) by Tears for Fears
|
2 | 4:06–4:07 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||
| C | f6a0deed-f61f-48dc-8615-642bdc3393ae | 3 | 4:10–4:13 | ||||||||||||||||||||||||||||
| D |
d6fb8e67-4f49-48ce-8549-ad03687bf933
Also linked to
Everybody Wants to Rule the World (Urban 12" mix) by Tears for Fears
|
4 | 4:00–4:04 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||
| E |
30ef7610-893f-400f-b0b9-f83eeaa1d718
Also linked to
Shout by Tears for Fears
|
3 | 4:00–4:06 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
|||||||||||||||||||||||||||||||
| F | 6db1e2c6-1c1d-4a71-8c07-246572c6eb76 | 6 | 4:03–4:09 | ||||||||||||||||||||||||||||
| G | a789c981-ce58-4d8c-a7f6-2d5ec5f393e8 | 10 | 3:50–3:57 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
|||||||||||||||||||||||||||||||
| H | 3ac60a64-25dc-4d5a-8aee-6a2a61c52bd0 | 2 | 3:58–4:02 | ||||||||||||||||||||||||||||
| I | 767d01f0-6d5a-46d9-bdd1-b050678dc551 | 2 | 4:01 | ||||||||||||||||||||||||||||
| J | 2dee0e4c-65fb-42b8-856f-dee0ffa29ec2 | 2 | 4:28–4:29 | ||||||||||||||||||||||||||||
| K | f740e7d3-d8ae-4c4c-a449-55a400f3bcd8 | 1 | 4:08 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.40 | 0.94 | 0.70 | 0.92 | 0.35 | 0.00 | 0.61 | 0.00 | 0.85 | 0.00 |
| B | 0.40 | — | 0.42 | 0.40 | 0.42 | 0.00 | 0.00 | 0.31 | 0.00 | 0.44 | 0.00 |
| C | 0.94 | 0.42 | — | 0.70 | 0.95 | 0.00 | 0.00 | 0.60 | 0.00 | 0.89 | 0.00 |
| D | 0.70 | 0.40 | 0.70 | — | 0.70 | 0.00 | 0.00 | 0.69 | 0.00 | 0.68 | 0.00 |
| E | 0.92 | 0.42 | 0.95 | 0.70 | — | 0.00 | 0.00 | 0.60 | 0.00 | 0.91 | 0.00 |
| F | 0.35 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.32 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.61 | 0.31 | 0.60 | 0.69 | 0.60 | 0.00 | 0.00 | — | 0.00 | 0.63 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.85 | 0.44 | 0.89 | 0.68 | 0.91 | 0.32 | 0.00 | 0.63 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |