open source audio identification
MusicBrainz recording
You Were There
Babyface
4:59
037c10d2-eba1-4114-934e-079bb4ba0c42
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
240
linking them to it
Fingerprints
18
distinct audio files
Duration
4:40–5:02
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
b0748e63-ae39-4b96-84b7-16e9bc12a30b
Also linked to
You Where There by Babyface, You Were There by Babyface and
|
4 | 4:54–4:59 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
3011fe8d-148e-4150-9ac5-5f93cea23b56
Also linked to
You Where There by Babyface, You Were There by Babyface
|
1 | 5:02 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
f4fee52e-9cf9-427a-8cc9-da378da4f786
Also linked to
For the Cool in You by Babyface, For the Cool in You (Midnight Luv instrumental mix) by Babyface and
|
5 | 4:52–4:54 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
4e2b62ee-83c8-47cc-874c-b35c38127120
Also linked to
You Where There by Babyface
|
2 | 4:56 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
559ad087-0790-4458-bb5f-008f42c7ff5e
Also linked to
You Were There by Babyface
|
2 | 4:40–4:46 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
9ea5450a-2a5a-4fc8-bba6-4931cd4c95af
Also linked to
I Love the Lord by Whitney Houston with Georgia Mass Choir, I Love the Lord by Whitney Houston and
|
3 | 4:54–4:57 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 417055e0-dbde-4a6c-9353-8b3ce3cee350 | 1 | 4:59 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.