open source audio identification
MusicBrainz recording
Oleo
Miles Davis Quintet
5:54
studio, 1956-10-26: without false start
029e8ab5-5679-43f0-9948-a8d4a4bc2fad
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
169
linking them to it
Fingerprints
94
distinct audio files
Duration
5:45–6:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
f95c8691-6812-4d6f-881e-f821719fb452
Also linked to
Oleo by Miles Davis Quintet, It Could Happen to You by Miles Davis Quintet and
|
23 | 5:50–5:57 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
65370293-e9e2-41c7-96c0-a48c42187f4b
Also linked to
Oleo by Miles Davis Quintet
|
8 | 5:54–5:58 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
5aa2b081-173c-4a04-8e2b-297fb9b0249d
Also linked to
Oleo by Miles Davis Quintet
|
1 | 5:52 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D | a12e7611-ce4e-4f20-95aa-8a7ac3e15333 | 5 | 6:18–6:22 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | f2134f2d-473e-4989-850a-9a60bfdc7529 | 19 | 5:50–5:57 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
0528e53b-52c3-4fa7-bd47-77efef8aef32
Also linked to
Oleo by Miles Davis Quintet
|
3 | 5:52–5:54 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 003fe209-19be-423d-97d9-c926fb95058c | 28 | 5:46–5:53 | |||||||||||||||||||||||
|
Recordings linked to G
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| H |
d35f19bb-b074-4f2a-939b-628a91d49fd3
Also linked to
Oleo by Miles Davis Quintet
|
2 | 5:54 | |||||||||||||||||||||||
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Recordings linked to H
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| I | 29debed1-eb26-41cd-809c-83ee68441887 | 1 | 5:57 | |||||||||||||||||||||||
| J | c95d07b9-4f7e-4c4f-8e6d-6aecdc70d357 | 1 | 5:57 | |||||||||||||||||||||||
| K | 0ccdc291-025d-40e1-aba1-7ecd7c386eec | 1 | 5:53 | |||||||||||||||||||||||
| L | 2fcfcb1a-acc2-41fa-ac5b-9e4f05fedd54 | 2 | 5:45 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.59 | 0.00 | 0.00 | 0.49 | 0.98 | 0.00 | 0.64 | 0.00 | 0.42 | 0.56 | 0.00 |
| B | 0.59 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.57 | 0.68 | 0.59 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.64 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.43 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.49 | 0.00 | 0.64 | 0.00 | — | 0.00 | 0.00 | 0.42 | 0.00 | 0.00 | 0.56 | 0.00 |
| F | 0.98 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.64 | 0.57 | 0.00 | 0.00 | 0.42 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.52 | 0.00 |
| I | 0.00 | 0.68 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.42 | 0.59 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.56 | 0.00 | 0.43 | 0.00 | 0.56 | 0.00 | 0.00 | 0.52 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |