MusicBrainz recording
She Cries Your Name
Beth Orton
4:47
016e6416-8a29-4ce6-a8f5-9b0ff108e6a5
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
38
linking them to it
Fingerprints
27
distinct audio files
Duration
4:40–5:03
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
858a82f6-8caa-4e34-8804-4151c3e72f12
Also linked to
She Cries Your Name by Beth Orton, She Cries Your Name by Strange Cargo
|
10 | 4:46–4:48 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
c23489da-71e2-49d7-a989-58edf5d8f011
Also linked to
Under the Bridge by All Saints, Under the Bridge by All Saints and
|
9 | 4:58–5:03 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C | 1234a5ce-54c9-46f8-be78-7a564848c70b | 2 | 4:47 | |||||||||||||||||||||||||||||||||||||||||||
| D |
809a2524-9a0d-4675-a930-882dd9de2f26
Also linked to
Dancing With the Devil (stripped back version) by Wolf Gang feat. Kyla La Grange
|
2 | 4:46 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
a4b52f3a-ea5c-4a3b-ac19-5358e04585e7
Also linked to
Forever Young by Firewoodisland
|
1 | 4:53 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
9875a068-dbba-42c9-8cc2-eb03d73f4301
Also linked to
Ordinary World (acoustic version) by Aurora feat. Naimee Coleman
|
1 | 4:40 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
2df2b04e-5b92-4164-8ab5-729ccb122f42
Also linked to
A Thousand Years by Christina Perri, A Thousand Years by Christina Perri and
|
2 | 4:45–4:46 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.